Corporate and executive portrait photography, Singapore

Photographs of your real leaders and people that carry your reports and campaigns all year.

No more stock-photo patchwork. You agree one written brief, see every frame live on set, and get first edits in five to seven working days.

One consistent look across every leader, sittings that fit a CEO's diary, and files ready for print, press and LinkedIn.

Close-up of an elderly man with gray hair and glasses, wearing a black suit against a black background.
Send A Brief

For organisations that publish annual and sustainability reports

A collage of various company and organization logos, including Far East Hospitality, Republic Polytechnic, art4d, UFFINDell, MAN, Singapore Architect, National Institute of Education Singapore, artistroom, Temasek Foundation, Duke NUS Medical School, Lighting Planners Associates, Wild Rice, Vayasan Mendaki, agency for integrated care, Lock, HH Stainless, Checkpoint Theatre, Pictet, FT Weekend, Fullerton Health, Schneider Electric, South China Morning Post, workato.

Our photographs have run in annual reports, sustainability reports, campaign material, careers pages and press kits.

What our clients say

  • “We arranged a corporate shoot for 15 people. Zakaria and his team were very professional. We all got make up and hair arranged so the pictures look good. Most of us were quite shy and Zakaria made everyone very comfortable and gave guidance on how to pose. We loved the pictures, highly recommended for any corporate shoot.”

    Diana Jave, Head of Marketing Communications, Zeiss

  • “Working with Zakaria was so easy and straightforward! Even working from a distance (ie UK) he managed an entire photoshoot for a high profile client in the region while working with remote creative direction. Would definitely recommend for anyone shooting in Malaysia.”

    Gary Black, Executive Creative Director, Uffindell

  • "One can often assess the skill of a photographer by studying the quality of his portfolio. What is harder to discern is his approach and attitude, professionalism and client orientation. Zak delivered on a project for the National University of Singapore, working in tight sync with my team and capturing portraits that brought the unifying idea behind our campaign to life. He was always on time, responsive and approachable, and his crew were just as professional. I am now looking for another project that will let me tap on his skills again."

    — David, Founder & Principal Consultant, CourageousBrands

What are you responsible for?

One shoot of your real leaders and people, used across the annual report, the website and campaigns all year. Or booking for yourself?

Your careers page and LinkedIn should show the people who work there. We photograph your teams at work and keep the setup on record, so new joiners match.

Your sustainability report makes claims about real people and real sites. Show them.

Every photograph is an argument. Real ones hold up.

  • A scientist smiling and looking at the camera, leaning over a laboratory table with a microscope, in a modern science laboratory with a large glass wall and equipment.

    Corporate and campaign photography

    For annual reports, sustainability reports, brand campaigns, investor materials and website builds. Every setup is shot to a written brief that names the channel, the crop and the message. A single shoot day usually produces 10 to 20 finished images.

  • A man in a blue blazer and khaki pants sitting on a concrete ledge near water, smiling with city buildings in the background.

    Executive and leadership portraits

    For board profiles, media features, investor decks, conference programmes and LinkedIn. Senior people are busy, self conscious and often running late. We plan for all three. See our executive and personal branding work

  • A woman in a brown dress standing in a modern conference room with large windows and pink chairs.

    Employer brand and workplace photography

    For careers pages, recruitment campaigns, EVP launches and internal communications. Candidates can tell a real team from a staged one in about half a second. We photograph the real one and make it look good.

  • A man in a brown blazer working at a laboratory desk with scientific equipment, including a large camera mounted on a stand, in a brightly lit room with windows and medical devices.

    Industrial and facility photography

    For operational sites, plants, yards and production floors, including permit controlled environments. See our industrial photography page


We Say

It is getting harder to tell a real photograph from an AI one. That makes a photograph of your actual leaders, made on a real day, worth more. Every image we deliver starts as a real frame from the shoot, and we keep the raw files, so you can show any image is real.

Group of people playing foosball in a room with a photography setup, a person filming, and a woman smiling.
Behind the scenes of a photography production in Singapore.
Behind the scenes of a photography production in Singapore.
Behind the scenes of a photography production in Singapore.

For the person in front of the camera

Most leaders are with us for 15-30 minutes. You see each frame on a screen as we shoot, and you approve your portrait before it goes anywhere. Hair and make-up can be arranged.

How you can work with us

  • A group of four coworkers, three women and one man, are gathered around a desk in an office, engaged in conversation. They appear happy and are smiling, with computer monitors and office supplies visible in the background.

    Step one. The brief.

    A structured session, in person or on a call. We cover the objective, the channels, the brand guidelines, the key messages and the people involved. You get a written brief back before anything is booked. If a previous shoot went wrong, this is usually the step that was skipped.

  • Group of five young adults playing Monopoly at a table in a study area, with a sign for Career Connect at the Singapore Institute of Management in the background.

    Step two. Pre-production.

    Location recce where access allows. Shot list built against the brief. A schedule shaped around your people, because a CFO with a nine minute window is a scheduling problem before it is a photography problem. Hair and makeup arranged where the project calls for it. Consent and talent releases handled up front.

  • Three young adults taking a selfie in front of a colorful mural, smiling and waving.

    Step three. The shoot.

    Tethered, with live review on a screen. Your team sees the frames as we make them and signs off on the day. We keep the footprint small and we look after the people being photographed. Most of them are nervous. Handling that is part of the job.

  • A woman in a navy blue shirt with green and yellow cross patterns on sleeve holding a clipboard and pen, inspecting large white pipes in an industrial setting with shelves of similar pipes in the background.

    Step four. Delivery.

    Edited selects with a deployment note: which image for which channel, crops for print and digital, caption guidance, and a file naming system your team can still navigate a year later. Full resolution files, with usage rights defined in the contract.

Who photographs your people?

Not a junior sent after the pitch. I have spent 15 years photographing people in professional settings. My documentary work is collected by the National Museum of Singapore, has been exhibited at Noorderlicht in the Netherlands and at Dali in China, and is published in two books. I also lead the visual storytelling curriculum for the Asia Journalism Fellowship. That background is why the pictures hold up next to serious writing.

Not a junior sent after the pitch. Most studios start with the light. I start with the person. I'm a documentary photographer first: my book Our Gurkhas (Epigram Books, 2012) gathered portraits and stories of Singapore's retired Gurkhas, and my documentary work is in the collection of the National Museum of Singapore. I also lead the visual curriculum for the Asia Journalism Fellowship.

FAQs

How much time does each leader need?

1

Most leaders are done in 15-30 minutes. We set up before they arrive, so the diary slot is all the time they give.


Can you keep the look the same across Singapore, Kuala Lumpur and Jakarta?

2

Yes. We record the lighting, lens and background for each look, so a portrait made in Jakarta matches one made in Singapore.


Who owns the photographs, and where can we use them?

3

You get a licence for the uses you name in the brief: annual report, website, press, LinkedIn. We agree it in writing before the shoot.


How fast can we have the images?

4

The first edited selection usually arrives within five to seven working days of the shoot. Faster for launches and media deadlines, agreed in the proposal.


What does it cost?

6

A shoot day with 10 to 20 finished images starts at S$4,000. Annual programmes are priced against your communications calendar. The portrait for your new role starts at S$900.


Can you work to our brand guidelines?

5

Yes. Send them with the brief. We match background, colour and crop, and show you test frames before the session.


Do you arrange hair and make-up?

7

Yes, on request. For Zeiss, everyone on the shoot had hair and make-up arranged.

One shoot, six jobs

From annual report cover to media and press kit, every file we deliver is named and grouped by the job it does. Your team should not have to open forty images to find the one for the newsletter.

Book A Free, Discovery Call

Send us a brief

Tell us what the images are for and where they need to go. You get an itemised proposal, usually within two working days. You can email us at hello@zainalandzainal.com

Cityscape view of a river at dusk with illuminated buildings, a tall skyscraper, boats on the water, and a cloudy sky with pink and purple hues.
Two professionals, a man and a woman, are engaged in conversation at a desk in an office environment. The man, wearing a white shirt, is smiling and gesturing with his hand, while the woman, dressed in black, is holding a green pen and listening. There is an open laptop, a notebook, and a pen on the desk. The background features office desks, computers, and large windows with natural light.
Close-up of a woman with long wavy brown hair, smiling, wearing a white top and a small turquoise pendant necklace, against a white background.

Three shoots, and what the photographs were used for

A woman with black hair and a black blazer sitting at a desk with a laptop, looking to her right. Blur of bottles and other items are seen on the desk.
A man with a beard and brown hair, wearing a brown blazer and white shirt, sitting on a white bench in a modern office lobby, talking on a cell phone.

Flo Energy

Flo Energy's people and workplace culture, photographed in a single day.

“I engaged Zak to capture photos for our corporate culture, and he did a fantastic job despite a tight one-day schedule. He coordinated the shoot smoothly and put everyone at ease, bringing out their best.”

— Jun, Flo Energy

How do you highlight the zest of youth and a vibrant campus lifestyle while also create visuals assets that enhance performance marketing on social media? Our studio is proud to project manage and photograph a diverse set of visual assets to showcase SIM GE as a great place to study and play. At the heart remains: their people.

“Zack has been a joy to work with, as he brings a positive attitude to support our vision of the photography project entrusted to him. He is quick to offer his perspective and will readily work with clients to ensure that goals are achieved. Overall, my team and I have had a positive working experience with Z&Z.”

— Vi Vien, Senior Regional Marketing Manager, SIM

SIM Global Education

ZEISS

Our studio spearheaded this employer branding project photographing ZEISS employees at work across their business units — highlighting a diverse workforce, cutting-edge technology and a great place to work.

Sectors we have photographed

Learn more

What our clients say

  • “Zakaria brought with him a wealth of experience, expertise, and a keen understanding and sensitivity to our vision and to the needs of the project. He was well-prepared, thoughtful, conscientious, and was able to help us to deliver the impactful and moving photos that we needed. You know you are in good capable hands, and that the photos will be of a high standard and quality. I highly encourage others to work with him too!”

    Faith Ng, Associate Artistic Director, Checkpoint Theatre

  • "He took time to understand what I wanted to capture and gave the talents clear direction without the photos looking overly staged. He was receptive to new ideas, which made the whole working experience an enjoyable one. 10 out of 10."

    — Michelle, Senior Manager, NAMIC

  • "Zack is easy to get along and accommodating. Most importantly, he listens to what client is looking for and get client actively participates in the creative process.”

    — Chin Wah, Forum Architects